Beyond The Top 10: What Are The Underrated Movies Currently On Netflix?

Published on February 2, 2026 by Marvin Evans

There’s a funny little trap Netflix sets. You open the app, you see the Top 10, you scroll past a few loud thumbnails, and you think, “Right. That’s the menu.” But it’s not the menu. It’s the billboard outside the restaurant.

I’ve lost count of the times I’ve heard someone say Netflix has “nothing on” while they’re staring straight at the same carousel they stared at yesterday. It’s like walking into a big supermarket, stopping at the first aisle, and announcing the place doesn’t sell pasta. It does. It’s just three aisles over, behind the giant display of fizzy drinks.

So when people ask, “What are underrated movies currently on Netflix?” they’re really asking something else. They’re asking how to dodge the algorithm’s comfort food. How to find films that don’t scream for attention but still land a punch. Films that feel like a proper find. The kind you message a mate about at 1 am because you’re slightly annoyed nobody told you earlier.

Also, a quick reality check before we get cosy. Netflix changes its UK library. Things leave, things come back, and rights shift. Everything below reflects what’s being talked about and listed as available in late January 2026 by Netflix’s own newsroom and a few UK viewing guides.

Now. Kettle on. Lights low. Here’s the good stuff.

The “Quick Glance” Cheat Sheet

If you’re standing in front of the TV with your dinner getting cold, here’s the breakdown of where to start.

The Movie The Vibe (In Plain English) Why It’s “Hidden” Effort Level
Train Dreams Gritty, snowy, and honestly heartbreaking. It’s a “quiet” period piece. High (Needs focus)
His House Scary, but in a “think-about-it-all-night” way. Horror often gets buried if it’s “indie.” Medium
Oxygen Pure, sweaty-palm panic. No big-name Hollywood stars. Low (fast-paced)
Tick, Tick… Boom! A musical for people who hate musicals. The algorithm prefers reality TV. Medium
Hard Truths Like eavesdropping on a family row. It’s “too real” for a Friday night. High
His Three Daughters Claustrophobic family chaos. It’s just people talking in a room. High

Also Read: Wednesday Season 2: Netflix’s Gothic Darling Returns with a Spooky Twist

The Big Problem With The Top 10

Let’s be honest: the Top 10 isn’t a “best of” list. It’s just a tally of what got the most clicks on a Tuesday. Sometimes those two things overlap—the stars align, and a masterpiece goes viral—but more often? They don’t even live in the same postcode.

Lately, Netflix’s own hype machine, Tudum, has been working overtime on January’s big-ticket items. You’ve seen them. The Rip, which has been dominating the #1 spot for two weeks and People We Meet on Vacation are everywhere. 

And look, that’s their job. They’re selling the sizzle. Most of us have seen those thumbnails a dozen times without even trying, just by breathing near the home screen.

But here’s the actual reality. The films that really stick—the ones you’re still thinking about while making toast three days later—usually arrive without the fireworks. There is rarely a massive billboard in Leicester Square. No “event” countdown. Just a quiet title card and a killer first scene, and suddenly you’re leaning forward, squinting at the screen, thinking: “Wait, why is this actually so good?” 

That’s where the underrated stuff lives. It’s not hiding in some secret, members-only basement. It’s just standing right behind the noise. You just have to be willing to walk past the shouting to find it.

Train Dreams: The Oscar Type That Sneaks Up On You

Let’s be real: some movies just aren’t trying to win you over in the first five minutes. They’re patient. They don’t do the whole “explosions and loud music” thing right away. But if you’re willing to meet them halfway, the payoff is massive.

Take Train Dreams. It’s been bubbling away in the “must-watch” lists for a while now, mostly because it’s a gritty, actor-led drama that feels like proper cinema. Even though it landed on Netflix UK back in November, it’s currently having a massive second life. Why? Because the Oscar nominations just dropped on January 22nd, it’s officially bagged a nod for Best Picture. If you missed it during the Christmas rush, you’re not alone—but with the buzz building for the March ceremony, it’s graduated from “hidden gem” to “essential viewing”.

Radio Times has it sitting right at the top of their January recommendations, which is usually a solid sign you aren’t about to bin off your evening on a dud. It’s the kind of film you start watching while absent-mindedly scrolling on your phone, but ten minutes in, the phone goes face-down on the sofa. It doesn’t just ask for your attention; it hijacks it.

Honestly, if your Netflix habit has basically turned into “expensive background noise”, a film like this is the perfect reset. It’s not preachy or “artsy” for the sake of it. It’s just a reminder that a screen can still make you feel something real—even if you’re watching in your oldest,

His House: The Horror That Hits Because It Feels Real

Horror usually gets a bit of a bad rap. Most people just picture a teenager making a daft decision followed by a loud jump scare. But the best stuff? It doesn’t feel silly. It feels sharp. It feels heavy.

“His House” is the perfect example of this, and honestly, it’s criminal how many people still haven’t clicked on it. It’s been doing the rounds on UK Netflix “must-watch” lists for a while, but even as we head into early 2026, it still feels like a hidden gem. Film Stories recently flagged it again as one of the most haunting pieces of British cinema in the last decade, and they aren’t wrong.

What makes this work isn’t some rubber monster you can laugh off. The fear comes from the walls—literally. It’s about a refugee couple trying to build a “normal” life in a dingy flat while the trauma they’ve escaped refuses to stay buried. You’ve got the supernatural spooks, sure, but the real “heavy lifting” is the emotional weight of their situation. 

The stress of displacement is far scarier than any ghost. If you’re looking for underrated movies that actually stick in your ribs long after the credits roll, this is one of the easiest wins on the entire service.

Oxygen: High Tension on a Low Oxygen Budget

I’ll be the first to admit it: I’ve got this weird, massive soft spot for “single-room” movies. You know the vibe—they trap a character in a tiny, claustrophobic box and just keep turning the metaphorical screw until something finally snaps. Honestly? You don’t need a $200 million CGI explosion budget when you actually know how to manipulate tension.

Oxygen is an absolute masterclass in that kind of psychological torture. The premise is absurdly basic: a woman wakes up in a futuristic medical pod, with no idea how she got there. Oh, and the cherry on top? The air is quite literally being used up. That’s it. That is the entire motor of the film. It might seem like something of a gimmick on paper, I know, but the way it plays your nerves like a violin is genuinely impressive.

(And this is one of those rare watches where you’ll actually catch yourself holding your own breath in the dark.) It’s a little melodramatic, yes, but I swear it’s a full-on physical reflex.

 That’s precisely why enquiring, “What’s on tonight? is often the wrong way to think about Netflix. The better question? “Do I really want to feel slightly panicked for 90 minutes? If you’re in the mood for a tight, nervy thriller that doesn’t have to resort to cheap blood and guts to give you the willies, this one is an absolute shout.

Tick, Tick… Boom!: The Quarter-Life Crisis That Actually Sings

Let’s face it: sometimes you just aren’t in the headspace for a miserable “woe-is-me” biopic or some gruelling three-hour epic. You just want a film that makes you feel… well, awake. Tick, Tick… Boom! is exactly that. It’s a massive shot in the arm that manages to be gut-wrenching without ever feeling like it’s talking down to you or patting you on the head like a child.

It’s hilarious (and a bit annoying) how the Netflix algorithm works. This movie was the only thing anyone talked about for five minutes, then it got buried in the “Recommended” basement because some new reality dating show needed the spotlight. But the core story? That crushing 2026-era pressure of feeling like your 30s are a ticking bomb while everyone else on your feed looks “sorted”? That is timeless.

What actually makes it land isn’t the shiny Broadway polish—it’s the sheer mess of it all. It digs into the bruised egos, the “sorry, card declined” moments, and those 2 am internal debates where you aren’t sure if you’re actually talented or just dangerously stubborn. If that hits a bit too close to home? Yeah, that’s the whole point. 

If you’ve spent the last week doom-scrolling and feeling like you’re stuck in neutral, give this a go. It’s a pep talk that doesn’t feel like a lecture, which, if we’re being honest, is the only kind of pep talk actually worth your time.

Hard Truths: The British Drama That Feels a Bit Too Real

Ever sat on a rainy bus and watched someone absolutely lose their rag over something tiny—like a dropped coin or a slow door? If you know that specific brand of British tension, you’ll get the vibe here.

Hard Truths is currently doing the rounds as the “performance of the year” choice, but it’s the kind of quiet, character-heavy piece that’s incredibly easy to miss if you only watch whatever the Netflix algorithm shouts at you. There are no explosions. No wild plot twists. It just… watches. It follows a life uncomfortably closely, and honestly, it’s a bit of a masterclass in awkwardness.

Look, I’ll be straight with you: you might not “enjoy” every single second of this. It’s heavy. It’s full of that raw, jagged friction where sadness comes out sideways as pure anger. But you will respect it. It feels like actual people, not “movie characters”. If you’re bored with the samey, polished content and want a proper change of pace that proves Netflix actually has some grit left, this is the one. You just have to be willing to go find it.

His Three Daughters: The Masterclass in “Cramped” Cinema

Look, I’ll be totally blunt: most people are going to scroll right past this one. No one gets shot, nothing blows up, and there isn’t a single CGI explosion in sight. Massive mistake. Honestly? It’s their loss.

“His Three Daughters” basically locks you in a tiny, sweating New York apartment with three sisters who—to put it mildly—can’t stand to breathe the same air anymore. They’re stuck there waiting for their dad to pass away, and the vibe between Elizabeth Olsen, Carrie Coon, and Natasha Lyonne is… well, it’s jagged as hell. It’s that exact brand of family friction where a stray comment about a mug of coffee spirals into a brutal, 20-minute emotional autopsy. You’ll start spotting your own family’s “baggage” in the middle of their mess, and that’s exactly when it starts to actually sting.

The movie never leaves that flat. Because of that, it feels less like a big-budget “film” and more like a high-stakes stage play where there’s nowhere to run. No flashy location changes to bail you out or distract you. It’s just raw talk, heavy-as-lead silences, and old grudges practically bouncing off the ceiling. But that claustrophobia? That’s the secret weapon. You’re trapped in the room with their guilt, and frankly, so are they.

This is why it’s so criminally overlooked. People see a “talky” thumbnail and keep moving toward the loud, shiny stuff. But this is a quiet, heavy-hitting knockout. By the time you hit the final act, you aren’t even watching “actors” anymore—it feels like you’re eavesdropping on a family finally hitting their breaking point. It’s not always “fun” to sit through, but it’s real. In a Netflix library full of fake, plastic content, this is the one that actually sticks to your ribs.

The Verdict: Stop Scrolling and Start Watching

Look, the algorithm isn’t your friend—it’s a salesman. Its entire job is to keep you clicking, not to make sure you’re actually moved, challenged, or even particularly entertained. If you let it, it’ll keep feeding you “cinematic beige” until you forget that movies are supposed to make you feel something.

It takes a bit of effort to track down these gems, yes. You have to disregard the shiny banners and that “98% Match” labelling that’s really just fraudulent. But that first time you decide to watch a quiet masterpiece like His Three Daughters or a claustrophobic nail-biter like Oxygen, you’ll figure out what you’ve been missing. 

When people say, “What are the underrated movies currently on Netflix?” they’re not just looking for a title; they’re looking for the reminder here and there that this platform still has some soul inside it. You only need to move beyond the billboard to get to the real kitchen.

So, go ahead. Close the Top 10. Forget what’s “trending” for five minutes and pick something that actually has a pulse. Your night is worth more than an infinite scroll—treat it that way.

Also Read: SAS Rogue Heroes Season 3: Why Steven Knight’s Got Me Excited About What’s Coming Next

FAQs

Wait, what are the underrated movies currently on Netflix that I actually shouldn’t miss right now?

If you want the short list for late January: go for Train Dreams for the Oscar-level acting, His House if you want to actually be scared, and His Three Daughters if you’re in the mood for a “crying-on-the-sofa” family drama. They’re all sitting right there, just hidden under the loud stuff.

Why does the Top 10 always look so… average?

Because it’s a popularity contest, not a talent show. It tracks what people clicked on because they were bored or saw a billboard. It doesn’t mean the movie is actually good; it just means it has a catchy thumbnail and a big marketing budget.

Is the UK Netflix library different from the US one in 2026?

Always. Licensing is a mess. Some of the stuff we’ve talked about, like Hard Truths, is a specific UK gem. If you’re travelling or reading a US guide, half the list won’t even show up. Stick to UK-specific guides to avoid the “This title is not available” heartbreak.

How do I find these “hidden” films without a direct link?

Stop trusting the “Home” tab. Use the search bar for a director you like or a specific genre (like “British Social Realism”), then scroll down to the “Because you watched” rows. That’s where the algorithm actually stops trying to sell you things and starts being helpful.

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